Interview with "Left Behind, Waiting" writer, Joshua David Vega
Q: Saul Bellow once commented that "A writer is a reader moved to emulation." Many playwrights are at first readers - or actors - who...
Interview with "Love All" writer, Lojo Simon
Q: Your plays have the quality of fine short stories, with strong and intriguing themes and compelling characters taking us into distinct...
Interview with "Kill A Better Mousetrap" writer, Scott K. Ratner
Q: Miles Merbinoe, the protagonist of Kill a Better Mousetrap, has a love-hate relationship with the work of Agatha Christie, of which he...
Interview with Playwright David Scaglione
I think as a playwright I know the power of good direction and design, I know I’ve got a great director in Phillip Brickey for this show....
Interview with Playwright Diana Burbano
Q: Fabulous Monsters plunges us into the emerging L.A. punk scene of the late 1970s. As a playwright, what do you find especially...
Interview with Playwright Robert Riemer
Q: In a relatively short time, you have earned critical acclaim (including two LA WEEKLY Picks of the Week) for some very intense, very...
Interview with Playwright Leonard Joseph Dunham
Q: Orange County theatregoers have primarily known you as an actor, specifically as a member of the Hunger Artists. Is it fair to say you...
Interview with Playwright Joni Ravenna
​ Joni Ravenna Interview Q: "Corrupt Impressions" presents parallel situations - one in a courtroom, one in a classroom - in which the...
Interview with Lew Riley
Q: Some playwrights can write comedies easily, others can't. Do you think comedy can be taught, or are some writers just inherently...
Interview with Erica Bennett on "Bender"
Q: What kind of playwright is Erica Bennett? How would you describe your playwriting? A: I am a conflicted playwright, who struggles...
